Showing posts with label Proms. Show all posts
Showing posts with label Proms. Show all posts

Thursday, 9 April 2009

a well deserved proms debut

finally, one of Britain's finest orchestras will receive its BBC Proms debut this year. The small but perfectly formed Ukulele Orchestra of Great Britain, well known to Lichfield audiences for their 2006 and 2008 performances, will perform at the Royal Albert Hall on 18 August, fresh on the heels of two more dates in Lichfield. The full Proms programme can be found here.
They return here on 14 and 15 July with their new show Ukulelescope, about which more can be found here while we wait our website goes live next friday. Ukulelescope is the hilarious result of the Ukes being allowed to plunder the BFI archives. After hearing about the show from various conversations with George Hinchcliffe, it was fantastic to finally see it at Bristol's Slapstick Festival earlier this year. I predict that Lichfield tickets will quickly become scarce, so it is heartening to see that it is also due to receive its London debut at the BFI Southbank in June.

Monday, 11 August 2008

mr simcock again again

as detailed in a previous post, Gwilym Simcock's Prom debut took place on Saturday (live radio, live tv, world premiere of a major commission and solo piano - not bad for a debut and certainly a BBC pound of flesh). Couldn't make it down to London to see it but managed to watch the whole thing on tv. Really nice programming, with works by Gershwin, Berstein, Stravinsky, Simcock and the outstanding Jason Yarde (another world premiere). I thought Gwil's Progressions was a brilliantly orchestrated and approachable work despite the density of writing, and the orchestra had obviously enjoyed working with him a lot. The piece will no doubt have a long and well deserved life.
The concert will be available on BBCi Player video here, but is already available for one week in first half and second half. I hope someone manages to get it Gwil's piece on youtube.
The other highlight for me was hearing Bernstein's Prelude, Fugue and Riffs again, with my only (slight) disappointment being that the Proms did not use this as an opportunity to showcase a younger clarinettist instead of the obviously brilliant Michael Collins.
Watching the Proms live performer interviews immediately before and after being on stage was great, especially when we are seeing the same with athlete interviews from the Olympics. I know not everyone can do it, but I thought Jason Yarde, Gwil and Charles Hazelwood were articulate, measured and completely unfazed. There must be a way of somehow bringing this to the live experience in a way other than pre-concert talks and talking to the audience from an onstage microphone, especially during platform changes that eat up so much time.